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Dancer Writer Mother Philosopher Publications in print Scholarly journals and more Feedback from the field Downloads and links The ongoing unfolding Quick link to the Vital Arts store Quick link to the dance page |
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What a Body Knows Finding Wisdom in Desire (NEW RELEASE) Examining cultural attitudes towards food, sex, and our spiritual lives, LaMothe exposes a pervasive mind over body thinking for what it is: fear of desire. Drawing on her experiences as a mother, dancer, and scholar of religion, LaMothe reveals how our desires—physical, emotional, and spiritual—are the surest guides we have to health and well being. Elaborating a unique a philosophy of bodily becoming, LaMothe demonstrates how we can find, trust, and move with the wisdom in our desires. |
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Nietzsche's Dancers Isadora Duncan, Martha Graham, and the Revaluation of Christian Values (2006) When the American modern dancers Isadora Duncan and Martha Graham read Nietzsche, they were inspired by the way in which he used images of dance to figure an alternative to Christian values. Later, they each came to describe their visions for dance in Nietzschean terms. In Part I of this book, LaMothe investigates the role that Nietzsche's dance images play in his project of "revaluaing all values." In Parts II and III, LaMothe explores how Duncan and Graham, in their philosophies, practices, and performances of dance, engage and critically advance his project. LaMothe concludes that these modern dancers found justification and guidance in Nietzsche's texts for developing dance as a medium of religious experience and expression. |
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Between Dancing and Writing The Practice of Religions Studies (2004) This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of “religion,” on the one hand, and “theology,” on the other. In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religion. |
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